Cancún Ecosystem Mosaic Series

Johannah almost missed the short email that started this whole project off. As a small business, we get a fair amount of spam email from “international suppliers.” So on first glance an email requesting our work in Cancún sounded like yet another in this vein.

Good thing we took a closer look! We soon learned that yes indeed, a designer in the hospitality industry was reaching out on behalf of a Marriott hotel in Cancún. The hotel was looking to create an exhibition of work to hang in their lobby that celebrated the local native tropical environment.

The hotel requested two groupings of eight pieces each, centered on two topics: one group exploring the native environment of the region, and the other focused on the life cycle of sea turtles. They wanted the work to emphasize the connection to earth through the use of natural and reclaimed materials.


The first set of images show preparatory sketches, a sampling of the materials, and work-in-progress shots of the two mosaic series and handmade frames we created for this installation.

Cancún, Mexico native ecosystem mosaic series

Top row (L to R) Mangroves, Keel-billed Toucan, Blue Crab Migration, Frangipani Tree

Bottom row (L to R): Whaleshark, Lagoon, Rainbow Parrotfish, Island Beach Cove

The native ecosystem series depicts native plants, animals, and landscapes important to the tropical region of the Yucatan peninsula and the Caribbean Sea surrounding Cancún. Johannah focused on species and locations that would be familiar to many visiting tourists and represent a cross-section of the biodiversity of the region.

Nichupté Lagoon is the body of water that lies between the tourist area, a barrier island outside the city, and mainland downtown Cancun. Imagery of this lush landscape inspired the Mangroves and Lagoon pieces. The vibrant Keel-billed Toucan and Rainbow Parrotfish represent the brilliantly colors of so many tropical animals. Well-known the world over as tropical ornamentals, Frangipani Trees, also known as plumeria, are native to the Caribbean. And of course the region is known for its white sand beaches and crystal clear water.

Migratory animals are among the many important tourist draws to the area. They represent the intersection of nature’s rhythms and the encroachment of humans on native habitats. During full moons in the early fall, blue crabs migrate from the mangroves and lagoon in the west, across the busy streets and neighborhoods of the tourist area, to lay their eggs in the Caribbean Sea to the east. Just to the north, the majestic whale shark, the largest living fish species, migrates into the area in the late spring, inspiring boating and swimming tours to view them more closely.

Caribbean sea turtle mosaic series

Top row (L to R): Nesting Dunes, Sargassum Mat, Stove-pipe Sponge, Hawksbill Turtle

Bottom row (L to R): Hatchlings Headed to Sea, Open Sea Under Full Moon, Moon Jellyfish & Seagrass Meadow, Leatherback Turtle

The sea turtle series depicts images representing the life cycle of sea turtles in the Caribbean region. Johannah chose images representing their changing habitat over their life span, their diet, and of course the beautiful patterns of their shells.

All species of adult female sea turtles return to land to dig nests into sea dunes to lay their eggs. The baby sea turtles most often hatch at night and immediately begin their trek to open sea. They spend the first three to five years of life in seaweed mats, such as the golden sargassum seaweed. These mats provide the young turtles with food, shelter, and fresh water.

Once full-grown, sea turtles spend much of their lives closer to shore. Most adult sea turtles are omnivorous, eating a variety of plants and animals. The diet of hawksbill turtles in the Caribbean Sea consists primarily of sponges, such as the long tubular stove-pipe sponge. Green sea turtles feed on sea grass and algae, while the leatherback turtle eats mainly jellyfish.

The hawksbill sea turtle is critically endangered largely due to the use of its beautifully patterned shell for human decoration. The leatherback sea turtle is vulnerable though not endangered and is the largest and most hydrodynamic body shape of all sea turtles. Other sea turtles of the Caribbean include the green sea turtle, the loggerhead, and Kemp’s or Atlantic ridley, the world’s most critically endangered sea turtle.

Plan A (There is no Plan B)

Johannah’s most recent mosaic series celebrates the beauty of the natural world, continuing a theme from the earlier Nature and Endangered Flowers series.

We are thrilled to be showing these three mosaics among  a selection of Johannah’s work at Gallery at 23 for the month of April. Located across the street from the Maggie Walker statue on Broad St. in Richmond, this gallery features artwork exhibitions by new and established Virginia artists.  “Take Care” features Johannah’s mosaic artwork about environmental and social justice .


The mosaics in this series are inspired by the sense of awe I feel looking out at the waters, mountains, and forests on this beautiful and singular planet we call home. And that’s just it, it’s the only one on which we know we can survive and thrive. If we continue to mess it up as we have been, there is no plan B. (Or as I’ve seen on signs at environmental demonstrations, “No Planet B.”) These works are a celebration of our world, and a call to reawaken our connection to our home.

The first piece in this series is “River Journey.” This piece is comprised of several lengths of blue and green mosaic laid out side by side. “River Journey” is inspired by the James River, the river we love running through the center of the city we live in.

Drinkable water represents a tiny portion of water on earth, yet human activity has poisoned much of that water. The panels in this mosaic represent the legs of the human journey in our relationship with water. As we travel this journey, the health and quantity of the water and the landscape around us may change, and different periods of crisis or improvement may last for different lengths. We don’t know in advance how many different legs this legs journey will encounter, but like a river, history carries us ever onward.

“In the Mountain’s Shadow” was the second piece in this series celebrating the beauty of the natural world. This artwork consists of a rugged mountain silhouette in white with black shadows below and a tiny moon and stars above. “Mountain’s Shadow” was inspired by rocky mountain ranges like the Himalayas of south Asia and the Wasatch Mountains of Utah, so different from our own ancient and softly rolling Blue Ridge Mountains in Virginia.

This mosaic represents those dark periods of life that feel inescapable in the moment. Right now, the health of our world is in a very dark place that often feels hopeless. The moon and stars represent the hope of light and a different future.

The last piece in this series is “Such a Perfect Day.” This piece consists of a horizontal triptych, a series of three pieces meant to work together to create a whole image. Puffy white clouds float against a blue sky over a line of evergreen trees and a golden field. “Perfect Day” is inspired by early summer days, golden days when the sun feels warm and perfect and a soft breeze stirs the trees.

The title for this mosaic comes from the Lou Reed song of the same name, a song used frequently in soundtracks to add a touch of foreboding to those similar golden days. With climate change already wreaking havoc in our world, those beautiful perfect days now come with a sense of foreboding in real life. How much longer can we expect to experience such perfect weather? Let’s savor those days while we can, and work towards the hope of more in the future.

Endangered Native Virginia Flowers

Johannah’s latest mosaic series features endangered flowering plants native to our home state of Virginia as well as other parts of the eastern United States.


Like the Nature series from last year, the Endangered Flowers series was inspired by the beauty of the natural world around us. This time, I wanted to speak more openly to the destruction and chaos we humans have inflicted on the world. And I wanted to stick close to home, explore my own backyard so to speak.

As I researched native Virginia flowers, the same primary environmental threat kept popping up:  wetlands habitat loss. The four flowers I chose to represent are (L to R in photo) swamp pink, pitcher plant, American chaffseed, and Virginia sneezeweed. Each of these plants lives and grows in wetlands such as sandy coastal or boggy areas. There were many other plants to chose from, and most of them thrive in similar ecosystems.

As our built environment spreads ever outward and we continue to pave more of the earth’s surface, we both destroy natural wetlands and create ever-worsening flooding issues. Further, the retention ponds we create to replace wetlands are no true substitute for the plants and animals that live in those wetlands. We may have built ourselves a place to store the water we’ve displaced, but in the process we’ve destroyed an important part of the ecosystem. Even the current Environmental Protection Agency agrees that wetlands, like those other crucial but fragile systems, rainforests and coral reefs, are vital to life on earth due in great part to their tremendous biodiversity.

Like all our mosaics, the Endangered Flowers series is created with 100% reclaimed or environmentally sustainable and stable materials. A portion of the proceeds of the sale of this series will be donated to the Flora of Virginia Project.  Take a look below at a few work in progress shots as well as photos of the flowers themselves that inspired this series!

You can find the Endangered Flowers mosaic series as well as some of our other work in metal and mosaic in our shop.

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